Skip to main content

L’Officiel Magazine Not Paying Freelancers Class-Action Suit Looming – WWD

The number of freelancers claiming to have gone wholly unpaid for their work for L’Officiel continues to grow and legal action is looming.

As WWD reported last month, there are dozens of L’Officiel freelancers, including writers, photographers and stylists, who claim that work they did last year and even the year before has gone unpaid. The numbers of those willing in recent weeks to admit that they were never paid for work they did for the French publisher has grown so much that legal action is now being taken, WWD has learned. A lawyer has been retained by certain unpaid freelancers in London, for a planned class action that includes people seeking payment in the U.S., Paris and Italy. It will also likely include freelancers for Jalouse magazine, who have also gone unpaid. The Jalou family owns L’Officiel as well as Jalouse. Separately, the National Writers Union is planning to take legal action for the at least a dozen L’Officiel freelancers it’s been representing over nonpayment.

A representative of L’Officiel could not be reached for comment.

One unpaid freelancer, photographer Luc Coiffait, last week started a petition on Change.org titled “Pay your freelancers L’Officiel!” The petition has close to 600 signatures and Coiffait said he’s received numerous contacts from unpaid freelancers with invoices totaling near $50,000.

“We are aiming to bring all types of freelancers together in one case, as this goes much further than just writers,” Coiffait said. “We have heard from photographers, stylists, designers, production companies, freelance employees of L’Officiel titles, and even current L’Officiel Paris employees.”

In addition to being paid, Coiffait said the group wants an admission of wrongdoing on the part of L’Officiel leadership, including chief executive officer Benjamin Eymère and deputy ceo Maria Cecilia Andretta, both part of the Jalou family, as well as a public apology.

It is alleged L’Officiel since late 2018 has largely ignored freelancers who begin requesting payment after the typical three month period for freelancer payment, according to a number of freelancers who have dealt with the company. While initial e-mails to senior editors and even executives are met with claims that they will be paid soon, follow ups get no response.

When WWD spoke last month with Eymère, he did not deny that many freelancers for his publications have gone unpaid for completed work, many for more than a year.

To him, this is par for the course, as he explained: “In any business, there’s often a delay in payment for an invoice, it also depends on the reality of the execution of the job.” Eymère also cited the coronavirus pandemic as causing a delay in what he said was an ongoing process of “addressing each invoice.”

With the coronavirus pandemic, certainly there has been a disruption to media revenues based on advertising, but L’Officiel’s issues of nonpayment far predate the pandemic, according to freelancers.

Eymère also attempted to blame the lack of payment to freelancers on changes in leadership at the magazine over the last year or so, as well as on having issues in about 30 countries and the logistical hurdle that what he counted as 1,500 freelance assignments a year represents. The Jalou family only directly controls six editions of L’Officiel, including the U.S., France, Italy and Switzerland, each of which have freelancers claiming they’ve gone unpaid for work.

In response to the pandemic, L’Officiel has also decided to drastically reduce its level of print, Eymère said, with most titles going from 10 a year to four and all men’s titles going from eight to two. All licensed editions are expected to reduce frequency as well at Eymère’s urging. This also means a major reduction in freelance work, with sources claiming that L’Officiel has actually cut the use of all freelancers for the time being.

While Eymère insists that L’Officiel’s business future is bright, an inability to pay freelancers is not a good sign of a publication’s financial health. L’Officiel is backed in the U.S. by Global Emerging Markets, or GEM, an investment group run and founded by Christopher Brown. L’Officiel in the U.S. operates out of the GEM offices in New York. When Stefano Tonchi joined L’Officiel earlier this year in a new global role, Eymère said the company had gotten new investment from GEM and he planned to expand with three new directly operated titles.

As for payment to freelancers, late last year the NWU is said to have reached terms on repayment to freelancers in installments, because L’Officiel could not afford to pay freelancers what they are owed in one lump sum. The magazine pulled out of the agreement as soon as the coronavirus began having an effect on business. No freelancers were ever paid.

Now, the company is said to be planning to offer individual freelancers payment in two installments, in what Coiffait sees as little more than an attempt to undercut a group legal action, like a class action lawsuit. “Remember their silence?,” Coiffat said in an update to the petition. “Now they want to suddenly get in touch days after seeing this petition.”

For More, See:

Anna Wintour Not Leaving Vogue or Condé Nast, CEO Says

Nationwide Protests vs. the ‘Looting’ Narrative

Hearst Taps Samira Nasr as Harper’s Bazaar Editor in Chief



from WordPress https://ift.tt/3ea5xio
via IFTTT

Comments

Popular posts from this blog

Rufus Wainwright to Perform New Album at Livestream Concert – Rolling Stone

Gearing up for the release of his new album Unfollow the Rules, Rufus Wainwright will perform the record in its entirety at a livestream concert on Saturday. The performance will take place in the ballroom at Paramour Mansion in Los Angeles, previously owned by the silent film star Antonio Moreno. Wainwright will perform on acoustic guitar — similar to his recent In My Room  segment — accompanied by piano, guitar and a string section. The livestream will premiere in Germany and France here , later to be available on demand for 90 days. A stream will be available in the U.S. on All Arts ‘ Facebook page, premiering at 2 pm E.T. “The Paramour Session will show a completely different side of Unfollow the Rules ,” Wainwright said in a statement. “Acoustic, stripped back, sparser, but in a Rufus Wainwrightian sense of course. Good songs can survive in many different environments. I want my fans to have an opportunity to hear the music live when the album comes out. The only w...

Future shocks: 17 technology predictions for 2025 – World Economic Forum

We asked our 2020 intake of Technology Pioneers for their views on how technology will change the world in the next five years. From quantum computers and 5G in action to managing cancer chronically, here are their predictions for our near-term future. "lazy", :class=>"", :alt=>""}” use_picture=”true”> Image: Getty Images/iStockphoto 1. AI-optimized manufacturing Paper and pencil tracking, luck, significant global travel and opaque supply chains are part of today’s status quo, resulting in large amounts of wasted energy, materials and time. Accelerated in part by the long-term shutdown of international and regional travel by COVID-19, companies that design and build products will rapidly adopt cloud-based technologies to aggregate, intelligently transform, and contextually present product and process data from manufacturing lines throughout their supply chains. By 2025, this ubiquitous stream of data and the intelligent algorithms ...

Work From Home Opens New Remote Insider Threats – Threatpost

The administrator of your personal data will be Threatpost, Inc., 500 Unicorn Park, Woburn, MA 01801. Detailed information on the processing of personal data can be found in the privacy policy . In addition, you will find them in the message confirming the subscription to the newsletter. from WordPress https://ift.tt/2Vbs7zI via IFTTT